Sunday, May 9, 2010

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life agra



Thursday, May 20, 2010 20:45
at the Moot Hall "Morelli"
Piazza della Repubblica - Calcined (BS)

screening of the film

LA VITA AGRA
C. Lizzani

LUCIANO Bianciardi and "LA VITA AGRA"
Bianciardi Luciano (1922-1971). Grosseto writer and essayist, contributes to the creative ferment of postwar social and cultural. His narrative work is characterized by rebellion against the cultural establishment and a careful analysis of the social mores of Italy's economic boom. After a period of neglect, the biography written in 1993 by Pino Corrias, "bitter life of an anarchist," has revived the opera, notable for the quality of writing and the very current anti-modern vein. Write in his last work on the Five Days of Milan: "A revolution, it is true should not ever stop, and if not, whether a new order is imposed, we must start again, that revolution." The novel
. The protagonist leaves the province, and with it the wife and daughter to go to Milan with the intention of avenging the miners died in an accident at work: the reference is to mine Ribolla (Grosseto), which killed 43 workers in 1954. It will end completely absorbed and metabolized by the company that wanted to destroy.
The film of 1964, directed by and starring Carlo Lizzani Ugo Tognazzi and Giovanna Ralli.

Friday, May 7, 2010

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Mr. G.


Saturday, May 8, 2010 20:45 pm
at the Civic Center Plaza
Prehistory - Ponte San Marco (BS)


An Evening with images, texts and songs of "Mr. G."

Playback of
whether the performances of theater and song


readings of texts by Carlo Rossi and Elena
Zaglio

songs performed live by: Francesca
Carleschi (vocals)
Paolo Rocca (guitar)
Scamporino Francis (bass)

"a new moral consensus is emerging that is more like taking into account the duties of others towards us. Everything becomes moral just convenient. Practically a bargain. "

" Just to be sure instead of only what we experience directly. Realizing that the poor man becomes brilliant when looking at the world with their own eyes. Would be enough to give our passionate pessimism and finally find the courage to attend the future with joy. Because the thrust is not utopian or sorrowful weeping. The utopian thrust has no memory and does not care of painful waiting. The push now is utopian. Here and now. "